Zhang Songmao’s Aesthetics of Ceramic Art Paintings: A Case Study of Famille Rose Painting Art Style
รหัสดีโอไอ
Creator Qiu Jiaji
Title Zhang Songmao’s Aesthetics of Ceramic Art Paintings: A Case Study of Famille Rose Painting Art Style
Contributor Sakesan Tanyapirom, Poradee Panthupakorn
Publisher บัณฑิตศึกษา สถาบันบัณฑิตพัฒนศิลป์ กระทรวงวัฒนธรรม
Publication Year 2566
Journal Title วิพิธพัฒนศิลป์
Journal Vol. 3
Journal No. 3
Page no. 1-15
Keyword Zhang Songmao, ceramic painting, artistic style, aesthetics, Famille rose
URL Website https://so02.tci-thaijo.org/index.php/WIPIT
Website title วารสารวิพิธพัฒนศิลป์
ISSN 2985-265X (Online)
Abstract Porcelain, originated in China, has been deeply branded with Chinese culture. With a long history of porcelain production, Jingdezhen witnessed the peak of the porcelain industry. Every innovation of porcelain in Jingdezhen has led to the trend of an era. The emergence of ceramic painting created a new milestone for ceramic art. Zhang Songmao’s famille rose painting art is an important step in the development of Jingdezhen art. This study collects, organizes, and classifies relevant materials from the literature, providing detailed information and theoretical support for the research. It also analyzes Zhang Songmao’s different famille rose painting art styles by analyzing some works and collecting and recording the materials. The results show that Zhang Songmao’s ceramic paintings are rich in decorative language and brave in exploring new things. He created many new pigments and combined new colors to create his own personal style and has contributed significantly to the tradition and innovation of contemporary ceramic painting.
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