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Narrative Strategy of Ethnic Minority Films in Guizhou After 2000 |
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| รหัสดีโอไอ | |
| Creator | Zijia Liu |
| Title | Narrative Strategy of Ethnic Minority Films in Guizhou After 2000 |
| Contributor | Arunee Sriruksa |
| Publisher | The Center of Excellence of Kalasin Phraewa Traditional Textiles of Kalasin University |
| Publication Year | 2566 |
| Journal Title | Asian Journal of Traditional and Innovative Arts and Textiles |
| Journal Vol. | 2 |
| Journal No. | 3 |
| Page no. | 75-87 |
| Keyword | Narrative strategy, Ethnic minorities, Film, Guizhou |
| URL Website | https://so06.tci-thaijo.org |
| Website title | Asian Journal of Traditional and Innovative Arts and Textiles |
| ISSN | ISSN 2821-921X (Online) |
| Abstract | The year 2000 was an important period for the vigorous development of minority films, and some new changes have taken place in the creation of minority films. Before 2000, the main task of filmmakers was to interpret the changes that had taken place in New China. The overall politicization and revolutionary style are serious. In their own films, the filmmakers of different times, either with the interpretation of political ideas as the starting point or with the dissemination of national culture as the core, use different narrative skills to gradually form a personal style with a national aesthetic form. This paper, based on observation, director interviews, and the study of related documents and research, mainly uses the theory of narrative strategy to analyze and discuss the ethnic minority films in Guizhou after 2000. Focus on analyzing the narrative expression of ethnic minority films in Guizhou in this period and summarizing the narrative characteristics of ethnic minority films in Guizhou after 2000. The study found that folklore narration and modern reflection are important narrative strategies. |
