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The Design of the Ceramic Vase Collection from Isan Khit Patterns for Contemporary Thai Style House |
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| รหัสดีโอไอ | |
| Creator | Rapeepan Dinkhoksoong |
| Title | The Design of the Ceramic Vase Collection from Isan Khit Patterns for Contemporary Thai Style House |
| Contributor | Teerayut Pengchai |
| Publisher | The Center of Excellence of Kalasin Phraewa Traditional Textiles of Kalasin University |
| Publication Year | 2565 |
| Journal Title | Asian Journal of Traditional and Innovative Arts and Textiles |
| Journal Vol. | 1 |
| Journal No. | 3 |
| Page no. | 40-56 |
| Keyword | Khit pattern, Ceramic, Vase, Isan, Contemporary, Thai style |
| URL Website | https://so06.tci-thaijo.org/index.php/TIAT |
| Website title | Asian Journal of Traditional and Innovative Arts and Textiles |
| ISSN | ISSN 2821-921X(Online) |
| Abstract | This study aimed 1) to study Isan Khit patterns and apply into the design of product design, 2) to design the ceramic vase collection for the contemporary Thai style house, and 3) to evaluate the satisfaction of the target group towards the designed ceramic vase collection. The research instruments were an interview for interviewing informants including an Isan Khit pattern expert, a ceramic-vase design trend expert, and an interior design for a contemporary Thai style house expert which was analyzed qualitatively and a questionnaire for surveying the satisfaction of 100 participants which was analyzed by employing descriptive statistics(mean). The result elucidated that 1) the Isan Khit patterns could be classified into 4 main groups including animal pattern, plant pattern, object pattern and ornament pattern. The patterns that could represent Isan Khit, and be distinctive and suitable for applying into the design consisted of Naga pattern, bird pattern, Kab pattern and Kabsao pattern. 2) The designed ceramic vase collection included 6 vases which were 2 small-sized table vases, 2 medium-sized table vases and 2 floor vases. The main material was stoneware clay formed into sheet before using compression-mold and underglaze-painting techniques. 3) The result of evaluating the target group’s satisfaction towards 6 designed vases showed that there was a high level of overall satisfaction towards all designed vases (x ̅ = 4.32). For the satisfaction towards each vase, there was a high-level satisfaction on the 1st vase (x ̅ = 4.39), a high-level satisfaction on the 2nd vase (x ̅ = 4.34), a high-level satisfaction on the 3rd vase (x ̅ = 4.37), a high-level satisfaction on the 4th vase (x ̅ = 4.41), a high-level satisfaction on the 5th vase (x ̅ = 4.33), and a high-level satisfaction on the 6th vase (x ̅ = 4.45). |
