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การสืบสานและการสร้างสรรค์ศิลปะการประพันธ์ในสมุทรโฆษคำฉันท์ |
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| รหัสดีโอไอ | |
| Creator | พรทิพา นิสสะ,ทัศนีย์ ทานตวณิช |
| Title | การสืบสานและการสร้างสรรค์ศิลปะการประพันธ์ในสมุทรโฆษคำฉันท์ |
| Publisher | มหาวิทยาลัยทักษิณ |
| Publication Year | 2559 |
| Journal Title | วารสารปาริชาต |
| Journal Vol. | 29 |
| Journal No. | 2 |
| Page no. | 49 |
| Keyword | Samuthrakhot Khamchan,The Continuation and The Creativit |
| ISSN | 8670884 |
| Abstract | This article is aimed to study the continuation and the creativity of the art of writing in Samutthrakhot Khamchan at the onset part and the finale part of poetry including the studying for the creativity of the art of writing at the finale part of Samutthrakhot Khamchan. The researcher has analyzed the art of writing both of Samutthrakhot Khamchant at the onset part and the finale part and later compared. As a result have found that Samutthrakhot Khamchan at the finale part has all continued the art of writing, the usage of language, the beauty of language and the styles of poetry from Samutthrakhot Khamchan at the onset part. Therefore Samutthrakhot Khamchan at the finale part has been created the art of writing which is different from Samutthrakhot Khamchan at the onset part in some points. For instance, the creativity of usage of language, the creativity of lexis poetry, the synonyms, consonant and vowel forms changing that never been found in Samutthrakhot Khamchan at the onset part. The onomatopoeias and the creativity of poetry has longer words than Samutthrakhot Khamchan at the onset part. There are a lot of assonances which is created beautiful rhythm in the poetry. There are the Figures of Speech that have been found in the new 2 imageries. For instance, Gustatory Image and Kinetic and Kinethetic Image. More over the poetry has created the styles of poetry which is also created the description to the nature with the marvelous styles that never been found in Samutthrakhot Khamchan at the onset part. |
