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Chinese Traditional Paper-Folding Practices as a Social Aesthetic of Baan Saan Community Art, Phuket Old Town: A Case Study |
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| รหัสดีโอไอ | |
| Creator | 1. Tovankasame, Nicha 2. Chaopreecha, Jakraphan |
| Title | Chinese Traditional Paper-Folding Practices as a Social Aesthetic of Baan Saan Community Art, Phuket Old Town: A Case Study |
| Contributor | - |
| Publisher | Faculty of Fine and Applied Arts Chulalongkorn University |
| Publication Year | 2566 |
| Journal Title | Journal of Urban Culture Research |
| Journal Vol. | 27 |
| Journal No. | - |
| Page no. | 237-252 |
| Keyword | Community Art, Chinese Practice, Phuket Old Town, Social Aesthetic, Thailand |
| URL Website | www.cujucr.com |
| Website title | Journal of Urban Culture Research |
| ISSN | 2408-1213 |
| Abstract | This research utilizes an anthropological lens to examine the understanding of social aesthetics within a local market community with an unique traditional heritage. The data for this research was collected during a series of workshops aimed at creating community art in the Baan Saan Community of Phuket, Thailand. The artists and community leaders at first proposed graffiti and wall paintings, which are often found in modern South-East Asian tourist hotspots. However, the community members chose instead to conduct a workshop on traditional methods of folding joss paper. The joss paper is contextualized in this merchant community where the aesthetic value of exchange and Hokkien-Chinese cosmology are commemorated. The research found that the material in everyday life could initiate social aestheticism when it is elevated to an artistic state in the process of the workshop. Thereafter, the social relations of community members are strengthened through the engagement with the traditional material and artistic process. |
