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The Revolution of Calder's Kinetic Sculpture to Public Art Space - A Case Study Setting In LACMA's "Three Quintains" |
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| รหัสดีโอไอ | |
| Creator | 1. Qin, Gang 2. Zhen, Yalei 3. Wang, Ranran |
| Title | The Revolution of Calder's Kinetic Sculpture to Public Art Space - A Case Study Setting In LACMA's "Three Quintains" |
| Contributor | - |
| Publisher | Faculty of Fine and Applied Arts Chulalongkorn University |
| Publication Year | 2566 |
| Journal Title | Journal of Urban Culture Research |
| Journal Vol. | 27 |
| Journal No. | - |
| Page no. | 184-203 |
| Keyword | Revolution, Public Art Space, Calder's Kinetic Sculpture, Three Quintains, LACMA |
| URL Website | www.cujucr.com |
| Website title | Journal of Urban Culture Research |
| ISSN | 2408-1213 |
| Abstract | Alexander Calder's profound influence on public art, particularly through his kinetic sculptures, remains a significant milestone in the contemporary art world. This study delves into Calder's life and artistic journey, emphasizing the transformative impact of his iconic work, "Three Quintains" at the Los Angeles County Museum of Art. The paper explores the aesthetic and theoretical foundations of Calder's kinetic art, highlighting its delicate balance, spatial interaction, and spiritual evocations. Analyzing the sculpture's impact on visitor experiences and community engagement, the research addresses challenges and ethical considerations related to the integration of kinetic sculptures in public spaces. Furthermore, the study envisions future trajectories for public art, envisioning advancements in technology, inclusivity, sustainability, and interdisciplinary collaboration. Calder's legacy persists as a testament to the enduring potential of art to reshape urban environments and foster cultural exchange. |
