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Status of the Opera Tosca in China |
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| รหัสดีโอไอ | |
| Creator | Rui Wang |
| Title | Status of the Opera Tosca in China |
| Publisher | Buddhist Studies Foundation Wat Buranasiri Matayaram |
| Publication Year | 2567 |
| Journal Title | Journal of Dhamma for Life |
| Journal Vol. | 30 |
| Journal No. | 3 |
| Page no. | 619-631 |
| Keyword | Opera Tosca, Chinese Opera Market, Performance Status Quo |
| URL Website | https://so08.tci-thaijo.org/index.php/dhammalife/index |
| Website title | https://so08.tci-thaijo.org/index.php/dhammalife/article/view/3342 |
| ISSN | 2822-048X |
| Abstract | This paper studies the current development of Tosca in the Chinese market, and by analyzing the differences between different versions of the performance, it discusses in depth the artistic characteristics of the work, its creative background, its acceptance in the Chinese market and audience reaction. The study found that the performances of Tosca in China have gradually formed a localized expression with Chinese characteristics, and the acting skills and stage design of the actors have been recognized by the audience. At the same time, the audience's aesthetic concepts are also changing, and their demand for opera has become more diversified. The new version of Tosca has significantly improved and innovated in terms of cast, choreographic style and character performance, which has promoted the spread and popularization of opera art in China. The performances of Tosca in China have promoted the development of opera performance art, improved the acting skills and artistic cultivation of the actors, and at the same time promoted the development of Chinese opera music creation. This opera not only enriches the artistic enjoyment of Chinese audiences, but also brings new vitality to the development of China's opera market economy. At the same time, the introduction and performance of Tosca has also had a far-reaching impact on Chinese music education, providing students with vivid and interesting learning contents and methods, and offering new ideas and directions for the reform and development of Chinese music education. |
