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David Lynch’s Eraserhead (1977): Misogyny and Domestic Violence versus Aesthetic Value |
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| รหัสดีโอไอ | |
| Creator | Gorrawiya Aphipobthitikorn |
| Title | David Lynch’s Eraserhead (1977): Misogyny and Domestic Violence versus Aesthetic Value |
| Publisher | Chulalongkorn University |
| Publication Year | 2567 |
| Journal Title | Communication and Media in Asia Pacific |
| Journal Vol. | 7 |
| Journal No. | 1 |
| Page no. | 30-43 |
| Keyword | Filmmaking, Storytelling, Misogyny, Domestic Violence, Mise en scène |
| URL Website | https://so01.tci-thaijo.org/index.php/CMAP |
| Website title | Communication and Media in Asia Pacific |
| ISSN | 2697-4428 (Print); 2630-0621 (Online) |
| Abstract | The study offers a critical analysis of David Lynch’s 1977 film Eraserhead, focusing on the film’s presentation of violence and the interplay of power structures within the narrative. The research employs a well-defined framework utilizing in-depth interviews and rigorous data analysis. The primary data sources for the study encompass various elements, including a brief explanation of the film’s synopsis, an analysis of detailed mise en scène, existing theoretical literature, and insights from David Lynch’s own career stance. Eraserhead (1977), examined from diverse viewpoints, is viewed by some as delving into complex psychological and existential themes through symbolism, going beyond gender-specific criticisms. Interpretations differ widely, prompting varied audience reactions. The film provides an opportunity to transcend accusations of misogyny, proposing that the portrayal of sex and violence in cinema can contribute to aesthetic values and deeper meanings. Future research should focus on expanding the range of critics to encompass a wider variety of perspectives, ideologies, disciplines, and cultural backgrounds. This will ensure a more comprehensive understanding and minimize biases stemming from limited representation. |
