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The Practice Of Creative Music And Dance Performances Of The Asli Mala Group |
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| รหัสดีโอไอ | |
| Creator | 1. Sathittham, Rungnapa 2. Chandransu, Nantida |
| Title | The Practice Of Creative Music And Dance Performances Of The Asli Mala Group |
| Contributor | - |
| Publisher | Faculty of Fine and Applied Arts Chulalongkorn University |
| Publication Year | 2564 |
| Journal Title | Journal of Urban Culture Research |
| Journal Vol. | 22 |
| Journal No. | - |
| Page no. | 92-103 |
| Keyword | Traditional Rong Ngeng Pattani, Strategy, Capital, Habitus, Asli Mala, Creative Music, Creative Dance, Pierre Bourdieu, Thailand, Cultural Sustainability |
| URL Website | www.cujucr.com |
| Website title | Journal of Urban Culture Research |
| ISSN | 2408-1213 |
| Abstract | What are the contexts and conditions important to the sustainability of an expressive culture, especially in the face of an everchanging socio-cultural environment? This research examines the strategies used by the Asli Mala performance group to adapt the traditional Rong Ngeng Pattani into their creative performances. Using data gathered from observations and interviews during fieldwork in 2018-19 and drawing on Bourdieu's practice theory, I asked: How might we read Asli Mala's creative works in terms of fields, capitals, and strategies? While I argue that there are dominant and dominated agents operating under four subfields, the strategies employed by the Asli Mala involve a constant negotiation of their performance productions to meet the terms and conditions of the sub-fields. These strategies emerged from changing habitus caused by the accumulation and expansion of different forms of capital. Despite its popularity, these new performances are still considered unauthentic by traditional Rong Ngeng Pattani advocates. |
