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Analytical Study of Stupa in Ratanakosin Period According to Aesthetics |
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| รหัสดีโอไอ | |
| Creator | Phrayordkom Kunasitto Chainirattisai |
| Title | Analytical Study of Stupa in Ratanakosin Period According to Aesthetics |
| Publisher | Mahamut Buddhist University |
| Publication Year | 2567 |
| Journal Title | Journal of Philosophical Vision |
| Journal Vol. | 29 |
| Journal No. | 1 |
| Page no. | 1-14 |
| Keyword | Pagoda, Rattanakosin Era, Aesthetic |
| URL Website | https://so05.tci-thaijo.org/index.php/phiv |
| Website title | https://so05.tci-thaijo.org/index.php/phiv/article/view/264524 |
| ISSN | 15136620 |
| Abstract | Qualitative research on this subject has objectives are 1) to study the concept and theory of aesthetics, 2) to study the history and construction of pagodas in the Rattanakosin period, 3) to analyze the pagodas in the Rattanakosin period according to aesthetics. By using qualitative research methodology (Qualitative Research) to analyze the content of the document. The research method starts from analyzing the content of academic papers. Analyzing the principles of Buddhist aesthetics from the Tripitaka Survey of pagoda patterns by observation method. The research results found that; the construction of chedi as a valuable religious symbol brings aesthetic beauty in the Rattanakosin period. Pagoda with twelve wooden recesses Ceylon bell shaped chedi and Phra Prang chedi. The construction of chedi as a valuable religious symbol brings aesthetic beauty in the Rattanakosin period. Pagoda with twelve wooden recesses Ceylon bell shaped chedi and Phra Prang chedi Analyze the pagodas of the Rattanakosin era according to aesthetics. 1) Pagoda The mind can feel the outstandingness of the art, causing the emotion to be swayed by the amazing feeling. Shapes are based on mathematics. Expressing beliefs, culture, traditions 2) Chedi with twelve wooden recesses the beauty of the pagoda gives a feeling of being drawn into another dimension placed in an important part of the temple. Create contextual patterns with a beauty dimension. 3) An inverted bell-shaped pagoda in Lanka style. It is evident in the presence of emotions feel of faith. There is a reasonable systematic beauty. 4) The pagoda in the pagoda shape reflected and was astonishing. The layout was arranged according to the concept. Leaving lines is gentle. The shapes of the 4 pagodas represent Buddhist meanings, namely precepts, concentration, and wisdom. |
