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The deconstruction of the character of Toscaand the method of performance |
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| รหัสดีโอไอ | |
| Creator | Rui Wang |
| Title | The deconstruction of the character of Toscaand the method of performance |
| Publisher | Buddhist Studies Foundation Wat Buranasiri Matayaram |
| Publication Year | 2567 |
| Journal Title | Journal of Dhamma for Life |
| Journal Vol. | 30 |
| Journal No. | 3 |
| Page no. | 24-40 |
| Keyword | Tosca, Image Deconstruction, Performance Methods |
| URL Website | https://so08.tci-thaijo.org/index.php/dhammalife/index |
| Website title | https://so08.tci-thaijo.org/index.php/dhammalife/article/view/3343 |
| ISSN | 2822-048X |
| Abstract | Tosca is a classic opera written by Puccini, based on the original play by French playwright Sardou, which tells a tragic love story. Tosca is an important milestone in Pucciniโs creative career. This study aims to explore the performance method and the way of portraying the character Tosca in Pucciniโs opera Tosca, adopting the methods of literature research, interview and observation to analyze in depth the image structure, vocal performance and performance techniques of the character Tosca. By observing and comparing the versions sung by different singers, the performance methods and ways of portraying the role of Tosca are summarized. The two singers, Callas and Georgiou, each sang the aria "For art, for love" in their own way, showing Toscaโs inner struggles and contradictions, as well as his love for art and his obsession with love. The two versions of the aria show a high level of artistic accomplishment, but differ in characterization, and the researchers explored the ways to make Toscaโs character performable through comparative analyses. |
