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The Role of Controlled Aleatory Music in the Development of Modern Music in China |
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| รหัสดีโอไอ | |
| Creator | Jishu Zhou |
| Title | The Role of Controlled Aleatory Music in the Development of Modern Music in China |
| Publisher | Buddhist Studies Foundation Wat Buranasiri Matayaram |
| Publication Year | 2568 |
| Journal Title | Journal of Dhamma for Life |
| Journal Vol. | 31 |
| Journal No. | 1 |
| Page no. | 560-567 |
| Keyword | Chinese Modern Music, Controlled Aleatory Music, Music Development, Music Research |
| URL Website | https://so08.tci-thaijo.org/index.php/dhammalife |
| Website title | https://so08.tci-thaijo.org/index.php/dhammalife/article/view/3806 |
| ISSN | 2822-048X |
| Abstract | This paper aims to explore the development and research status of "controlled aleatory music" in modern Chinese music. Through combing the relevant literature and case analysis, this paper analyzes the origin and development characteristics of controlled aleatory music in modern Chinese music and its influence on music creation and performance. The study found that controlled aleatorylmusic is diversified and innovative in modern Chinese music, providing more possibilities and space for music creation.Controlled aleatory music, as an innovative musical form, integrates elements of compositional control with performance-based randomness. This study explores the historical development, defining characteristics, and cultural impact of controlled aleatory music in modern Chinese music. By analyzing the evolution of this musical form, the research reveals how controlled aleatory techniques bridge the gap between rigid compositional methods and flexible performance practices. Drawing from theoretical frameworks and case analyses, the study examines how Chinese composers adapt these techniques to blend Western avant-garde approaches with indigenous musical traditions. Thefindings provide new insights into the evolving landscape of modern Chinese music and highlight the continuing relevance of controlled aleatory practices in contemporary composition. |
